24th November - 4th December
What I did:
-worked on bespoke project
-my client was Ivo
-he was a german 21 year old guy who liked fashion, women, Mucha, Modnrian and gold jewellery
-I designed a accessory for him which represneted a female hugging him
-I produced a 3-times smaller model
-I completed the final outcome in plastic painted on top with acrylic
-I produced a 3-times smaller model
-I completed the final outcome in plastic painted on top with acrylic
General reflection:
-most difficult part of this project was making myself like JFFA. I was so focused on fashion before, that switching to accessories was really hard, because at the start I though I really didn't understand and respect them.
-the best part of this project was finding out that my client liked the same artists as me - Alfons Mucha and Gustav Klimt. Also, working with female body as an accessory for a man, because I find female body exceprionally beautiful
-I have learnt how to make metal jewelley, shoes, how to work with plastic, how to make presentation A2 sheets
-my time management was good overall - I finished the project, however if I was more focused I would have allocated my time more wisely
Project/Ideas development:
-the initial response was "what do I focus on?! there is so much!!"
-to start the ideas development process I narrowed my choices down to the neck area and the gold colour
-I started looking at Ivo's head, neck and shoulder area and designing on him by following the lines and natural curves his body has
-the first developments were a collection of helmets
-I then looked solely at shoulders and came up with a concepts of being uncomfortable (something that he likes) by being constrained by a piece of jewellery/fashion accessory
-I examined how Ivo's body reacted to him putting his arms up in weird positions
-I then decided to add a female to this concept because he likes woman
-it turned out to be a female hugging Ivo and by doing so constraining his movements and making him feel uncomfortable by this
-attempted to try out the female body shape in foil, however it was so easily distorted due to its high flexibility qualities
-I spoke to the technician about casting a female body and it turned out to be a very expensive, lengthy, complicated and hazardous process
-due to the lack of a long time I decided to abandon this idea
-I proceeded onto developing more head-shoulders pieces and then through the design process realised that I can simplify the female body by just using the hands and even them - simplifying to simple leaf-like shapes
-the final design looked like a females is standing behind Ivo and is hugging his shoulders and head and by doing so making his head turn at an awkward and uncomfortable angle
Materials and methods:
-I originally wanted to use plaster to cast a mould of a female body, however due to the expense and time lengthiness
-I turned to plastic as to an alternative because it is light, very flexible, strong and takes short time to manipulate
-I calculated all measurements and drew out in pencil and ruler the shape I wanted to cut out of plastic on three A2 sheets, I then cut out this shape so I could easily trace it onto plastic
-however it turned out that there wasn't big enough piece of plastic available at the time, so I turned to vacuum forming plastic which is thinner and is therefor more flexible (this proved to be a major plus when I tried to fit my accessory on to the body, because the person had to physically fit into the shape first, before s/he could wear it)
-to bend the plastic I used localised heating method by using a special hairdryer, this is because I only had two arms and would not of been able to make 10 bends in one time (this is if I had put the whole piece of plastic into the oven to soften it - it also was too big for the oven)
-I had to consider that my client has a specific shoulder shape, so when I was bending the shoulder area, I made sure that it fitted him by putting it on him
-I was initially planning to use spray paint to paint the surface of my fashion accessory, however there wasn't my desired shade of pink and not at all gold in the shop, so I turned to acrylic because it is thick enough to cover the original colour of plastic and it dries out very quickly.
My client:
Modelling a female on a male body:
-the initial response was "what do I focus on?! there is so much!!"
-to start the ideas development process I narrowed my choices down to the neck area and the gold colour
-I started looking at Ivo's head, neck and shoulder area and designing on him by following the lines and natural curves his body has
-the first developments were a collection of helmets
-I then looked solely at shoulders and came up with a concepts of being uncomfortable (something that he likes) by being constrained by a piece of jewellery/fashion accessory
-I examined how Ivo's body reacted to him putting his arms up in weird positions
-I then decided to add a female to this concept because he likes woman
-it turned out to be a female hugging Ivo and by doing so constraining his movements and making him feel uncomfortable by this
-attempted to try out the female body shape in foil, however it was so easily distorted due to its high flexibility qualities
-I spoke to the technician about casting a female body and it turned out to be a very expensive, lengthy, complicated and hazardous process
-due to the lack of a long time I decided to abandon this idea
-I proceeded onto developing more head-shoulders pieces and then through the design process realised that I can simplify the female body by just using the hands and even them - simplifying to simple leaf-like shapes
-the final design looked like a females is standing behind Ivo and is hugging his shoulders and head and by doing so making his head turn at an awkward and uncomfortable angle
Materials and methods:
-I originally wanted to use plaster to cast a mould of a female body, however due to the expense and time lengthiness
-I turned to plastic as to an alternative because it is light, very flexible, strong and takes short time to manipulate
-I calculated all measurements and drew out in pencil and ruler the shape I wanted to cut out of plastic on three A2 sheets, I then cut out this shape so I could easily trace it onto plastic
-however it turned out that there wasn't big enough piece of plastic available at the time, so I turned to vacuum forming plastic which is thinner and is therefor more flexible (this proved to be a major plus when I tried to fit my accessory on to the body, because the person had to physically fit into the shape first, before s/he could wear it)
-to bend the plastic I used localised heating method by using a special hairdryer, this is because I only had two arms and would not of been able to make 10 bends in one time (this is if I had put the whole piece of plastic into the oven to soften it - it also was too big for the oven)
-I had to consider that my client has a specific shoulder shape, so when I was bending the shoulder area, I made sure that it fitted him by putting it on him
-I was initially planning to use spray paint to paint the surface of my fashion accessory, however there wasn't my desired shade of pink and not at all gold in the shop, so I turned to acrylic because it is thick enough to cover the original colour of plastic and it dries out very quickly.
My client:
Modelling a female on a male body:
Putting my client into uncomfortable arm positions:
Modelling just female hands on a male body:
The making process of a model:
The final making process:
THE FINAL OUTCOME:
Presentation sheets
Saturday 7th December
What I did:
-written the first draft of my personal statement
“I’ve
always been fascinated by human physical body, so fashion’s relationship to the
human body is the main goal in my artwork” – a quote from Ana Rajcevic which
fully describes my ambitions for my future creative career. The silhouette of
the female body makes me want to create artwork which can be practically worn
and not just exhibited in the gallery. In my opinion there is not an art that
has a more immediate relationship with the body than fashion.
Apart from
the three dimensional shape of the female body, I am enthused by two
dimensional floral patterns, ornaments and prints, such as in William Morris’
textile artwork. For example, for my major A-level Art project I
designed my own floral ornament sourcing primary research from a garden, then
sampled different printing techniques and chose most efficient to produce my
own fabric. I then went on to design and sew a dress with a wire carcass which created
a beautiful shape for my textile to be presented on. This is what I aspire to
do in future – make beautiful garments with
beautiful textiles to be worn by beautiful women. (Dolce&Gabanna and
Phillip Lim)
I am astounded by the natural world and I am constantly
inspired by it. The inability to have my sketchbook by my side everywhere has cited
me on to develop an individual and quiet unique approach to capture things that
I find beautiful. I make short films which I really enjoy editing by making the
moving image fit the rhythm of the soundtrack that I put over the natural
sound. Over years this has evolved into my ongoing project called “#VRvideo”.
I like being self directed, so throughout the foundation
course I have been carrying out individual work with trials in different media in
search for my own personal style across various art disciplines. Furthermore,
my interest in textiles and fashion lies not only in the design, but also in
their history. My fondness of my cultural background and curiosity in garments
has brought me on to writing an Extended
Project Qualification dissertation on “How big a role did 20th century fashion
design play in the preservation of Russian cultural heritage?”.
I enjoy
exploring and finding unusual colour combinations, for example, recently I fell
in love with the grapefruit hues - a combination of orange and pink. I am fond of painting, and I respect accuracy and symmetry at
the same time. In my opinion these qualities are combined in the Fashion Print
techniques. Attending life classes every week for two years has made me very
familiar and aware of the human physical body. I have a rule to visit at least
two galleries every week.
Being on
the Foundation Course and creating artwork alongside so many talented and creative
students, has both been a major
source of inspiration and an aspiration to carry on being part of this
environment. I have been, I am and I will always be working hard to produce
many innovative creative ideas sourcing my inspiration from the immense
cultural heritages of different countries. I want to enlarge my skills set and
knowledge of the fashion industry to feel even more confident in this creative
career pathway I am pursuing.

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